Yikes, what an official name. If you want to know what AF-S, VR and IF-ED means, head to Ken Rockwell’s page about it. I’m going to go ahead and call it the Nikon 70-300mm, because that’s what a normal person would call it.

70-300 w/lens hood on my D80

I bought the lens from Adorama – a factory-refurbished model at an additional discount, so it was a great deal. It came with only a 90-day warranty and no fancy packaging, but I’ll live. As you may have read in my previous post, I was planning on renting a fixed 300mm f/4 for an upcoming Africa trip, but it was simply too heavy. The 70-300mm is one stop slower (f/5.6 instead of f/4) and in general lower quality, but it has vibration reduction and it’s half the weight! And half the price!

 

Size Comparison

You can see from the photo above that it’s by far my biggest lens, although it’s only 6 ounces (170g) heavier than the 18-200mm. I plan on taking both of those zoom lenses to Africa and leaving the macro and f/1.4 lenses behind.

A little close – you can’t zoom out with the 300mm f/4

Zooming is a big plus! In theory I like the idea of using a high-quality fixed lens and moving myself to ‘zoom’ in and out, but I won’t have that luxury on the safari since I’ll be in a Land Rover 99% of the time. Looking at other folks’ photos from Kruger outings, we’ll almost certainly see animals close to the road, and I don’t want to be stuck at 300mm if that happens.

Regarding the photo at right, however, God help us if we are ever that close to a hippo. But hopefully you see my point.

Continue reading »

I have a big trip planned, worthy of a big lens.

Sharing

Later this year I’ll be in Kruger National Park in South Africa, where there be many animals. Of course I’m struggling with what lenses to bring, and I want to share what I’ve learned so far, a bunch of photos, and why I won’t actually be taking this lens.

In the past I’ve rented a massive Sigma zoom and an ultra-wide Tokina lens and haven’t been particularly impressed, so I wanted to stick with Nikkor this time around. I wanted a long lens (obviously) but wanted the superior quality of a fixed focal length, rather than a zoom lens. I looked around – mostly at Nikon’s website – and settled on the 300mm f/4, which is the equivalent of 450mm on my Nikon D80′s DX sensor. Continue reading »

This is my first blog post setup photo, meaning that I’m writing a bit more than I usually would on my previous setup photos. Questions? Leave a comment!

Before & After

Hover over the photo to see what it looked like straight from the camera with no editing.

See (and purchase!) the photo on the One/Day Project website.

The Setup

The key to the lighting in this photo is the off-camera softbox. I used an SB800 with a Lumiquest LTp. I fired it using my D80′s on-camera flash in commander mode, and I used large white foam board to reflect some of the light back – that’s what you see on the bottom of the peas. I set my on-camera flash to 1/128 power to fill in the shadows a little, but I’m not sure it had much of an effect. The SB800 was on 1/8 power. I used an aperture of f/11 and shot straight on to get all of the subject in focus. Continue reading »

It’s regrettable that even one of the most high-tech handheld consumer devices ever designed suffers from diminishing returns – after you’ve used it for a while, it can get a little boring. To combat this head on, I periodically change the wallpaper on my iPhone. Revolutionary, I know, but I actually find it refreshing because it tricks my subconscious into thinking there’s something new and exciting going on.

Fotos 4 U

I present to you nine photos from the One/Day Project that are sized for the iPhone screen at 640×960 pixels, which is the resolution of the iPhone 4′s ‘retina’ display. They’ll work just fine on an iPhone 3Gs, 3G or original iPhone, too, or any other device with the same 2:3 aspect ratio.


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My One/Day Project is now 75% done, after 3 years and 1095 photos. It’ll be complete on leap day (February 29th) in 2012. Of course, I might just keep going after that…

Panoramic crop of my final photo in Year 3 - the Santa Monica Pier

Like last year, I wanted to do some reflection on the previous year as well as look forward to Year 4. Since no one has volunteered to interview me, here are some questions I asked myself:

What cameras did you use?

The following charts show the breakdown of camera models used in each year so far. Continue reading »

My One/Day Project has recently featured some water droplet photos. I hope that each one was more impressive than the last, because it was an ongoing process to discover how best to set up and light the drops.

Five Days of Water Drop Experimentation

Before I get into this, let me give some credit where it’s due. I saw the basic technique at a casual hands-on lighting class taught by Paul Van Allen at the Aquarium of the Pacific during Photographers Night. You can see his setup on Flickr. There are countless other sources for droplet stuff, such as this Strobist post. Search SmugMug or Flickr for ‘droplet’ or ‘water drop’ and you’ll see plenty more. Ok, moving on… Continue reading »

The Canon S95

I just bought my first new camera in 3.5 years, not counting iPhones. The Canon S95 replaces my old compact, a Canon SD400. It fills a niche between my SLR (Nikon D80) and my camera phone (iPhone 4). It’s a pretty awesome piece of gear, but maybe not for everyone.

Why You Want It

  • The build quality is solid, it feels good
  • Nice wide angle on the stabilized, 3.8x zoom lens
  • Full manual control
  • Customizable control wheel around lens and a thumb click wheel on the back
  • 1/1.7″ sensor nearly twice the size of SD400′s 1/2.5″ sensor
  • LCD screen is big and pretty
  • Lighter than its competitors at 195 g (.4 lb) Continue reading »

On 9/8/10, folks with an iPhone 4 could upgrade to iOS 4.1 and get HDR capability on the rear-facing camera. If you don’t know what High Dynamic Range photography is, do a quick search.

I’ve never been a fan of HDR – it looks over-saturated, washed out and generally fake. Most of the shots in Flickr’s HDR group back up that claim. That’s not to say it can’t be done well – I’ve liked plenty of HDR shots. The main difference is that I couldn’t immediately tell that they were HDR, because they weren’t screaming “that HDR look.”

I consider HDR more of a trendy novelty style rather than real photography. Regardless of my current views, I was eager to see how the iPhone 4 executed its HDR functionality.

Below is a collection of HDR shots that I’ve taken over the past two months and some comments. I included a wide variety of subjects and lighting conditions. Hover to see the non-HDR version (by default, the iPhone saves both versions). You can view the full size images here, should the mood strike you. Everything is straight out of the camera, no editing. Continue reading »

I recently went to San Diego and spent an entire day at the zoo (see photos). Since it was for my birthday, I was entitled to take as many photos as I wanted, and I decided it was worthy of a lens rental. I decided to go big – really big! I used LensProToGo to rent the massive Sigma 150-500mm, which is effectively about 225-750mm on my DX-format Nikon D80. It zooms in real nice!

Read on to see what I did with it..

Zebra legs at the San Diego Zoo

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On 9/12/10 I went to the Aquarium of the Pacific in Long Beach to attend Photographer’s Night – what a great opportunity!

Obligatory aquarium silhouette photo

If you’ve ever been to an aquarium and tried to take photos, you may have noticed that it’s – well, hard. The reasons include curious children in the way, tripods are prohibited, no lighting equipment, too many people, family/friends don’t want to wait for you… and don’t forget you have to shoot through inches thick, often curved glass*. Oh, and the ambient light varies wildly from tank to tank.

*it’s not actually glass – it’s acrylic, but I’m going to keep calling it glass

Photographer’s night aims to remove as many of these roadblocks as possible – for 4 hours the aquarium was open ONLY to photographers, and we were allowed to bring just about any equipment they wanted! They capped the number of people so it wasn’t too busy. Other than respecting other photographers (ie. don’t linger at a popular exhibit) and not using flashes on light-sensitive animals, we pretty much had full reign of the place. Very cool! Continue reading »

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